Get PDF Combining Images with Photoshop Elements: Selecting, Layering, Masking, and Compositing

Free download. Book file PDF easily for everyone and every device. You can download and read online Combining Images with Photoshop Elements: Selecting, Layering, Masking, and Compositing file PDF Book only if you are registered here. And also you can download or read online all Book PDF file that related with Combining Images with Photoshop Elements: Selecting, Layering, Masking, and Compositing book. Happy reading Combining Images with Photoshop Elements: Selecting, Layering, Masking, and Compositing Bookeveryone. Download file Free Book PDF Combining Images with Photoshop Elements: Selecting, Layering, Masking, and Compositing at Complete PDF Library. This Book have some digital formats such us :paperbook, ebook, kindle, epub, fb2 and another formats. Here is The CompletePDF Book Library. It's free to register here to get Book file PDF Combining Images with Photoshop Elements: Selecting, Layering, Masking, and Compositing Pocket Guide.

Click here to download the presets discussed in the video. In this episode of The Complete Picture Julieanne demonstrates the best way to convert images to Black and White as well as how to save presets to increase your productivity. In this episode of The Complete Picture discover the power of making selective adjustments like dodging and burning, color corrections and noise removal using the Graduated Filter and Adjustment Brush in Lightroom 4.

Even with the fantastic new Blur Gallery in Photoshop CS6, the Lens Blur filter is an essential tool when a high degree of control is needed to selectively and realistically blur an image. In this video tutorial, Julieanne uses the Lens Blur filter with a depth map to to create a series of images that appear as if they were captured with a tilt-shift lens.

Julieanne also demonstrates how to quickly apply this filter to multiple images using actions and batch processing. In this video tutorial Julieanne walks you through the best way to pan and zoom a "time lapse" image sequence, video clip and still photograph using the new Motion options in Photoshop CS6. In this Quick Tip Julieanne demonstrates the new Color Lookup Adjustment Layer and walks you through how to download a template to quickly apply these new "looks" to your images.

The Gradient Map Adjustment Layer has over 35 new presets to emulate traditional darkroom techniques for toning and split-toning photographs. In this Quick Tip Julieanne demonstrates how to quickly crop two images to the same size using the Front Image option as your source. There are several advantages to the newly redesigned Crop tool in Photoshop CS6.

In this video tutorial Julieanne demonstrates the refined interface, new features, customizable presets, enhanced tools and essential shortcuts that will make cropping easier than ever. See the blazingly fast performance of the new Mercury Graphics Engine. Learn about the new improved processing and enhanced controls in Adobe Camera Raw 7, the new photographic blur effects, how to straighten objects using the new Adaptive Wide Angle, and more. Explore many of the timesaving and user-inspired enhancements including new type styles, re-engineered Shape layers, and the all-new Crop tool.

Learn how to create the highest quality photographs by taking advantage of new and improved global and local adjustments in Adobe Camera Raw. Julieanne demonstrates the best way to recover detail in shadow and highlight areas, make sophisticated tone curve adjustments on a per channel basis, apply chromatic aberration on the fly, and selectively paint color, tonal and noise reduction adjustments.

Learn time-saving techniques to boost your productivity as Julieanne reveals essential enhancements that will improve the way you work with Layers, Groups, the Properties panel, and much more! Discover how to create photographic blur effects in a few clicks using intuitive, on-canvas controls in Photoshop CS6. Julieanne shows you how to soften select areas with Tilt-Shift blur, uniformly blur your entire image and then sharpen a single focal point with Iris blur, or select multiple focal points and then let Field blur vary the blurriness between them.

Take a tour of the new features and improved vector workflow in Photoshop CS6. Julieanne demonstrates how to quickly add custom strokes and fills to Shape layers, combine shapes without rasterizing layers, and use new alignment options and Pixel Grid for better rendering. Increase your productivity when working with type by creating Paragraph and Character styles in Photoshop CS6. With these styles, you can apply formatting to selected characters, lines, or paragraphs with a single click.

Learn how Photoshop CS6 can help you to explore new mediums with intuitive video creation. Julieanne walks through how to automatically sequence clips, use live previews for trimming, combine multiple audio tracks, drag and drop transitions, apply pan and zoom effects, and output videos using presets for popular devices.

In this episode of The Complete Picture Julieanne demonstrates the power of the Art History brush in Photoshop CS5 and its ability to continuously sample from any history state or snapshot. She will show you how to create compelling, painterly images by making simple changes to the default settings and utilizing a variety of different brush tips and presets. In this episode of The Complete Picture Julieanne reveals there is far more to the History Panel than simply un-doing mistakes.

Learn as she reveals little-known shortcuts for working with the History Panel, including how to fill with the History Brush, as well as a fluid method for painting between snapshots with no layer or masking knowledge required! In this episode of The Complete Picture Julieanne helps you avoid unwanted or puzzling results by answering the three most frequently asked questions around opening and round-tripping files from Lightroom to Photoshop.

In this quick tip Julieanne reveals an automated feature for adding arrowheads to the beginning or end of lines in Photoshop. In this episode of The Complete Picture Julieanne demonstrates how to eliminate repetitive tasks and increase efficiencies in Photoshop by customizing the tools you use the most and saving them as Presets. Learn how to cut hours of time out of your production time when you need to combine text and photographs. Although this feature has been in Photoshop for many releases, only a small number of customers know of its immense power for tasks such as automating event photography, creating web banners and graphics.

In this episode of The Complete Picture Julieanne demonstrates how to reduce the color palette of an image to create a posterized effect with the most control and maximum flexibility possible. In this episode of The Complete Picture Julieanne demonstrates how to create a single vector logo out of multiple type and shape layers, specify a consistent size, apply a style and save the entire creation as a Tool Preset!

In addition, Julieanne shows how to add a scan of your signature to any photograph with a simple change of a layer blend mode.


  • Soirs: En Rêvant op. 5, no. 1!
  • How to Separate Layers in Photoshop;
  • Photoshop Tutorials by Julieanne Kost.
  • Global Production and Trade in East Asia.
  • Getting to Know Layers in Photoshop Elements 9 - dummies.

Learn how to use Photoshop Actions to create Droplets that can be used in Lightroom to batch process images after exporting files. Note: Although this video was recorded in previous versions of Lightroom and Photoshop, the technique will still work today and, in fact, you could create conditional actions and process both vertical and horizontal files at one time! Use this link to find out more about conditional actions in Photoshop.

How to Use Layer Masks for Composite Images in Photoshop

In this episode of The Complete Picture Julieanne focuses on little known features and helpful hints for creating actions to successfully automate tasks in Photoshop. In this episode of The Complete Picture Julieanne discusses how the addition of color as well as supporting imagery can help reinforce the mood and message of a composite image that a single photograph may fail to do on its own. Discover how to composite images through the use of masking, blend modes, smart objects, gradients and edge effects.

In this episode of The Complete Picture Julieanne reveals some basic compositing techniques in Photoshop CS5 that she used to illustrate the feeling and mood of Iceland. Discover how easy it is to combine multiple images together using layers, masking, blend modes, and transparency in Photoshop CS5. In this episode of The Complete Picture Julieanne demonstrates how to use Lightroom 3's Develop Module to use color, tone, placement of content, and stylistic effects to give a series of images a unified look and feel. Learn how to use leading lines to tie images together as well as repeating shape, detail and balance to form a cohesive story.

In this episode of The Complete Picture Julieanne discusses how to select multiple images to work together as diptychs and triptychs. Learn how to select photographs with similar attributes such as color and shape, mood and lighting, line and form will help to unify two or more photographs, perhaps even creating new meaning though the relationship of the imagery. Discover the advantage of working with and archiving to the DNG raw file format over proprietary raw file formats as well as choose which tool to use to convert your files as you move through your workflow.

Join Julieanne as she covers all those little features in Adobe Photoshop CS5 that you may not know about that can make your life easier.

How to Blend Images and Create a Composite in Photoshop

Join Julieanne as she explains a new feature found in Adobe Photoshop CS5 called Mini Bridge, which lets you access all your creative assets, sort and filter them and then drag them right into your document. This video demonstrates how Julieanne layers different elements together using Photoshop to create her digital illustrations composites.

Blending Two Exposures in Elements

Somewhere between the decisive moment and moving pictures lies the world of digital compositing - where multiple images captured at different times layer together to create a whole that is greater than the sum of its parts. In this episode Julieanne Kost will demonstrate how to transform concepts and ideas into images by mastering the tools used in compositing. I've selected my favorite images that I've posted over the past year on Instagram and created a short slideshow from them.

I enjoy reflecting on the past year and always try to see the relationship between events in my life. I would strongly encourage you to create a collection of your own images for the year—I have found both the process and the results to be very insightful. Last year I created a short slideshow Moments Alone , from images taken over the year using my mobile phone.

I would strongly encourage you to create a collection of your own images for the year -I have found both the process and the results to be very insightful. Last year I created a short slideshow The Red Thread , of the images that I took with my mobile phone. So, I decided to do it again this year and here it is — Moments Alone. I decided to organize the images that I shot and processed using my camera phone and Instagram in the past 6 months.

After selecting my favorites and printing them yes, I printed them! Perhaps if you attended Photoshop World in the spring, you might remember some of the early images that I showed on the Art of Digital Photography panel.

How to use Photoshop Elements to combine images like a pro

I hope you enjoy the video. JUNE 21, New Typographic Features in Photoshop CC Check out the new features and enhancements made to the Type tools in Photoshop CC including the ability to find similar Typekit fonts, apply alternate on-screen with one click and font matching to help identify similar typefaces found in images. How many times have you found yourself trying to choose between two similar photos of your subject where neither photo is perfect? It's a common problem with group shots where in one photo, someone's eyes are closed, and in the other, someone else is looking in the wrong direction.

Wouldn't it be great if, rather than being forced to choose between them, there was an easy way to merge the two images together, keeping only the best elements from each photo, to create that elusive, perfect shot? Fortunately, there is! In this tutorial, we'll learn how to easily align and composite images in Photoshop. In fact, you may be surprised by just how easy it is to do since we're going to let Photoshop do much of the work for us.

First, we'll use a command few people know about to automatically load our photos into the same document and place each one on its own independent layer.


  • The new equine economy in the 21st century?
  • A Feast for All Seasons: Traditional Native Peoples Cuisine!
  • How to Separate Layers in Photoshop | xexatifo.tk?

Then, we'll align the images using Photoshop's powerful Auto-Align Layers command. Finally, we'll use a layer mask to hide the unwanted areas in one photo and replace them with the better versions from the other photo! Here's the two photos I'll be working with, taken one sunny afternoon while driving around the countryside. In this first image, I like the horse on the right as it approaches and looks straight into the camera, but the horse on the left is looking down and showing me nothing but the top of its head:.

This second photo, taken a few seconds earlier, gives me a better view of the horse on the left, but the horse on the right is further back in the frame and not as interesting as it was in the first shot:. What I'd like to do is combine the best elements from both versions, taking the horse on the right from the first photo and merging it with the horse on the left in the second photo.

Here's what the final composite version will look like:. You can use the same steps we're about to learn to align and merge all kinds of images, from family and group shots to animals and pets, landscape and nature photos, or whatever the case may be, so feel free to follow along with your own images. Let's get started! Before we can align and merge our photos, we first need a way to get them both into the same document, with each image on its own separate layer.

There's actually an easy way to do this, but few people know about it. If "Load Files into Stack" sounds confusing which it does , think of it instead as "Load Files into Layers " because that's exactly what the script does; it opens two or more images into the same document and places each image on its own layer.

Article Information

In fact, there's a command in Adobe Bridge named "Load Files into Photoshop Layers" that does the same thing, but for this tutorial, we'll stick with Photoshop. Once you've selected the script, Photoshop will pop open the Load Layers dialog box. This is where we tell Photoshop which images to open. Click the Browse button:. Navigate to the folder on your hard drive where the images you want to merge are located.

In my case, both of my photos are in a folder on my Desktop. I'll click on the first image to select it, then I'll press and hold my Shift key and click on the second image. This selects both images at once. With both of your photos selected, click the Open button:. You'll see your selected images listed in the center of the Load Layers dialog box. Click OK to load them into Photoshop:. It may take a few moments, but both images will be loaded into the same document, each on its own layer.

Since the photos are sitting one above the other, we can only see one of them at a time in the main document area:. If we look in the Layers panel , though, we see that, sure enough, both photos are there. The one on the top layer is the one currently visible in the document, but if you click on its visibility icon to the left of the layer, you'll temporarily turn it off, revealing the other image below it:.

With the top layer turned off, the image on the bottom layer is now visible in the document. Click the same visibility icon again to turn the top image back on:.

How To Auto-Align And Composite Images In Photoshop

In a moment, we're going to align the images, but to do that, we first need to have both layers selected. Click on the top layer in the Layers panel to select it if it isn't selected already. Then, press and hold your Shift key and click on the bottom layer. This will select both layers at once:. With both layers selected, go up to the Edit menu at the top of the screen and choose Auto-Align Layers :.

This opens the Auto-Align Layers dialog box. Photoshop is quite capable of doing an amazing job when aligning images, so we'll let it do all the work. Leave the Projection option at the top set to Auto the default setting , then click OK:. Again, it may take a few moments, but when it's done, your photos should be aligned with each other. You can click on each layer's visibility icon in the Layers panel to toggle it on and off and see what changes Photoshop has made to get them aligned.

I'll click on my bottom layer's visibility icon to turn that layer off temporarily:. This lets me view just the top image, and here we can see that to get both photos aligned, Photoshop resized and rotated the top image.